Blake 2.0

Zusatztext

Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.

Autorenportrait

STEVE CLARK Visiting Professor at the Graduate School of Humanities and Sociology, University of Tokyo, Japan. He has edited several collections of essays on Blake, most recently <EM>Blake, Modernity and Popular Culture</EM> with Jason Whittaker (2007) and <EM>Reception of Blake in the Orient with Masashi Suzuki</EM> (2006). <BR><BR>TRISTANNE CONNOLLY Associate Professor of English at St. Jerome's University in the University of Waterloo, Canada. She is the author of <EM>William Blake and the Body</EM> (2002), and editor of several essay collections including <EM>Liberating Medicine 1720-1835</EM> with Steve Clark (2009) and <EM>Queer Blake</EM> with Helen P. Bruder (2010). <BR><BR>JASON WHITTAKER Professor of Blake Studies and Head of the Department of Writing at University College Falmouth in Cornwall, UK. He has authored and edited eleven books, including <EM>Radical Blake: Influence and Afterlife from 1827</EM> with Shirley Dent (2002), and is editor of the <EM>Blake 2.0</EM> digital media network.<BR>

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