Extreme Collecting

Zusatztext

<p> By exploring the processes of collecting, which challenge the bounds of normally acceptable practice, this book debates the practice of collecting difficult objects, from a historical and contemporary perspective; and discusses the acquisition of objects related to war and genocide, and those purchased from the internet, as well as considering human remains, mass produced objects and illicitly traded antiquities. The aim is to apply a critical approach to the rigidity of museums in maintaining essentially nineteenth-century ideas of collecting; and to move towards identifying priorities for collection policies in museums, which are inclusive of acquiring difficult objects. Much of the book engages with the question of the limits to the practice of collecting as a means to think through the implementation of new strategies.</p>

Autorenportrait

<p><strong>J. C. H. King</strong> writes about the art and material culture of Native North America, and is interested in wider issues of museum ethnography, cultural policy and the visual arts, and the collection of contemporary art, photography, and ephemera. He became research Keeper of Anthropology at the British Museum, in 2010. His recent publications include:<em>Three Centuries of Woodlands Art: A Collection of Essays</em>(European Review of Native American Studies, 2007), ed. with C.F. Feest,<em>Provenance: Twelve Collectors of Ethnographic Art in England 17601990</em>, with H. Waterfield (Somogy, 2006) and<em>Arctic Clothing</em>, ed. with B. Pauksztat and R. Storrie (British Museum Press, 2005).</p>

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