Taking Stock: The Theatre of Max Stafford-Clark

Zusatztext

Inside accounts of the making of some of the most influential theatre productions of the last four decades. Max StaffordClark has been at the cutting edge of theatre in Britain for more than thirty years. Taking Stock draws on diaries, photos and interviews to recreate the evolution of nine of his most famous and influential productions: Fanshen by David Hare Epsom Downs by Howard Brenton Cloud Nine by Caryl Churchill Rita, Sue and Bob Too by Andrea Dunbar Serious Money by Caryl Churchill Our Country's Good by Timberlake Wertenbaker The Steward of Christendom by Sebastian Barry Some Explicit Polaroids by Mark Ravenhill Macbeth by William Shakespeare The result is one of the richest, most intimately informative books on the making of theatre.

Autorenportrait

Max Stafford Clark's career as a director began in 1966 at the Traverse, Edinburgh. With William Gaskill he co-founded, in 1974, the Joint Stock Theatre Group, which forged a new creative bond between actors and writers. From 1979-1993 he was artistic director of the Royal Court Theatre. And in 1993 he set up the extremely successful touring company, Out of Joint. Dr Philip Roberts is Emeritus Professor of Theatre Studies in the University of Leeds and a theatre historian, particularly of the Royal Court.

Weitere Details