Hamlet and Emotions

Zusatztext

<div>This volume bears potent testimony, not only to the dense complexity of <i>Hamlet</i>¿s emotional dynamics, but also to the enduring fascination that audiences, adaptors, and academics have with what may well be Shakespeare¿s moodiest play. Its chapters explore emotion in <i>Hamlet</i>, as well as the myriad emotions surrounding <i>Hamlet</i>¿s debts to the medieval past, its relationship to the cultural milieu in which it was produced, its celebrated performance history, and its profound impact beyond the early modern era. Its component chapters are not unified by a single methodological approach. Some deal with a single emotion in <i>Hamlet</i>, while others analyse the emotional trajectory of a single character, and still others focus on a given emotional expression (e.g., sighing or crying). Some bring modern methodologies for studying emotion to bear on <i>Hamlet</i>, others explore how <i>Hamlet</i> anticipates modern discourses on emotion, and still others ask how <i>Hamlet</i> itself can complicate and contribute to our current understanding of emotion. </div><div> </div>

Autorenportrait

<div><p></p><div> <div> <div> <p>Paul Megna is Honorary Research Fellow with the ARC Centre of Excellence for the History of Emotions at The University of Western Australia. </p></div></div></div></div><div> <p> </p> Bríd Phillips is Honorary Research Fellow with the ARC Centre of Excellence for the History of Emotions at The University of Western Australia, and Lecturer in Health Humanities, Health and Medical Sciences, at The University of Western Australia.<p></p> <p> </p> <p>R. S. White is Winthrop Professor of English at The University of Western Australia, and a Chief Investigator for the ARC Centre of Excellence for the History of Emotions.</p> </div>

Weitere Details