Detailansicht
Harmony Notes Book 2
ISBN/EAN: 9781800796485
Umbreit-Nr.: 827177
Sprache:
Englisch
Umfang: VIII, 288 S.
Format in cm:
Einband:
kartoniertes Buch
Erschienen am 21.09.2023
Auflage: 1/2023
- Zusatztext
- Harmony Notes: Book 2, is a natural follow on from Harmony Notes: Book 1. The vocabulary is expanded to encompass dissonant decoration, modulation, secondary 7ths and an exploration of Classical chromatic harmony. Clear uncomplicated explanations of each topic accompanied by aural examples are central to the conception and design. At every stage the aim is to foster a musical understanding and encourage a holistic approach - emphasising the necessary link between sound and symbol. The material is explored throughout seventeen chapters and includes exercises to assist with the learning, absorption and application of the topic at hand. 'Lightbulb' moments flag essential grammatical points, while 'checklist' and 'summary' boxes provide a useful revision tool. All audio examples are indicated by interactive 'headphone' logos. Although Harmony Notes deals primarily with vocal writing, the scope of the book expands to include simple analysis exploring the application of the harmony in a variety of other textures. A creative and musical approach is always encouraged associating the sound with the symbol at every stage of the learning. Resources to supplement Harmony Notes: Book 2 The musical examples in the main body of the book are interactive, intended to be listened to while studying the various topics. In addition, all exercises are available as separate downloads for ease of working. Chapters: Chapter 1Chapter 2Chapter 3Chapter 4 (Analysis)Chapter 5Chapter 6Chapter 7Chapter 8Chapter 9Chapter 10 (Analysis)Chapter 11Chapter 12Chapter 13Chapter 14Chapter 15Chapter 16Chapter 17 (Analysis) Audios: Audio 1.1Audio 1.2Audio 1.3Audio 1.4Audio 1.5Audio 1.6Audio 1.7Audio 1.8Audio 1.9Audio 1.10Audio 1.11Audio 1.12Audio 1.13Audio 1.14Audio 1.15Audio 1.16Audio 1.17Audio 1.18Audio 2.1Audio 2.2Audio 2.3Audio 2.4Audio 2.5Audio 2.6Audio 2.7Audio 2.8Audio 3.1Audio 3.2Audio 3.3Audio 3.4Audio 3.5Audio 3.6Audio 3.7Audio 3.8Audio 3.9Audio 3.10Audio 3.11Audio 3.12Audio 3.13Audio 4.1 bach goldbergAudio 4.2aAudio 4.2bAudio 4.2cAudio 4.3 HaydnAudio 4.4aAudio 4.4bAudio 4.4cAudio 4.5 MozartAudio 4.6 BeethovenAudio 4.7aAudio 4.7bAudio 4.7cAudio 5.1 SchumannAudio 5.2Audio 5.3 Schumann Hunting songAudio 5.4Audio 5.5Audio 5.6Audio 5.7Audio 5.8Audio 5.9Audio 5.10Audio 5.11Audio 6.1Audio 6.2Audio 6.3Audio 6.4Audio 6.5Audio 6.6 Schumann _Stranger_Audio 6.7Audio 6.8Audio 7.1Audio 7.2Audio 7.3Audio 7.4Audio 8.1Audio 8.2Audio 8.3Audio 8.4Audio 8.5Audio 9.1Audio 9.2Audio 9.3Audio 9.4Audio 9.5Audio 9.6Audio 9.7Audio 9.8Audio 9.9Audio 10.1 BachAudio 10.2Audio 10.3Audio 10.4Audio 10.5 mendelssohnAudio 10.6Audio 10.7 MozartAudio 10.8 SchubertAudio 10.9Audio 10.10 DiabelliAudio 10.11 Beeth SQAudio 11.1Audio 11.2Audio 11.3Audio 11.4Audio 11.5Audio 11.6Audio 11.7Audio 11.8Audio 11.9Audio 11.10Audio 11.11Audio 11.12 CacciniAudio 11.13Audio 11.14Audio 11.15Audio 12.1Audio 12.2Audio 12.3Audio 12.4Audio 12.5Audio 12.6Audio 12.7Audio 13.1Audio 13.2Audio 13.3Audio 13.4Audio 13.5Audio 13.6Audio 13.7Audio 13.8Audio 13.9Audio 13.10Audio 13.11Audio 13.12Audio 13.13Audio 13.14Audio 13.15Audio 13.16Audio 13.17Audio 13.18Audio 13.19Audio 13.20Audio 13.21Audio 14.1Audio 14.2Audio 14.3Audio 14.4aAudio 14.4bAudio 14.5Audio 14.6Audio 14.7Audio 14.8Audio 14.9Audio 14.10Audio 14.11Audio 14.12Audio 14.13Audio 14.14Audio 14.15Audio 14.16Audio 14.17Audio 14.18Audio 14.19Audio 14.20Audio 14.21Audio 14.22Audio 14.23Audio 15.1aAudio 15.1b NEWAudio 15.1bAudio 15.2Audio 15.3Audio 15.4Audio 15.5Audio 15.6 aAudio 15.6 bAudio 15.6 cAudio 15.7 aAudio 15.7 bAudio 16.1Audio 16.2Audio 16.3Audio 16.4Audio 16.5Audio 16.6Audio 16.7Audio 16.8Audio 16.9Audio 16.10Audio 16.11Audio 16.12Audio 16.13aAudio 16.13bAudio 16.13cAudio 16.14Audio 16.15
- Kurztext
- Harmony Notes: Book 2, is a natural follow on from Harmony Notes: Book 1. The vocabulary is expanded to encompass dissonant decoration, modulation, secondary 7ths and an exploration of Classical chromatic harmony. Clear uncomplicated explanations of each topic accompanied by aural examples are central to the conception and design.
- Autorenportrait
- Jean Archibald MusDip UCD, LRAM, ARCM studied music at University College Dublin and the Royal Irish Academy of Music. She has been a longstanding member of the Musicianship Faculty at the Royal Irish Academy of Music; teaching junior musicianship and lecturing in harmony and counterpoint, keyboard harmony and aural training on third-level degree programmes. Marie Moran BA Mod, LRIAM, LGSM, LTCL studied Music at Trinity College Dublin and the Royal Irish Academy of Music. Her musical journey has been shaped by her teaching in both institutions. She has been a key member of the RIAM Musicianship Faculty since 1986, lecturing in music theory, orchestration, harmony and counterpoint, analysis, keyboard harmony and aural training. As Head of the RIAM Musicianship Faculty over many years she played a vital role in the initiation and development of various third-level degree programmes. She has held the position of Head of Academic Studies from 2018-2022.